خلاصه داستان : فیلم "آخرین شاهزاده آتلانتیس" داستانی عاشقانه و خانوادگی را در قالب انیمیشن روایت می‌کند. بلتازار، مرواریدگیری پیر، قایق خود را به وینچنزو، مردی ثروتمند می‌فروشد. وینچنزو قصد دارد آدریانا، دختر بلتازار را به زور به همسری خود درآورد.

The Last Prince of Atlantis is a beautiful fairy tale about love, an animated family movie. The dynamic intrigue, a bright and multidimensional shows keeps the audiences captivated. An old pearl-fisher Bltazar is forced to sell his boat to wealthy man Don Vincenzo. But this is not the worst part. Now Vincenzo wants to take his beautiful daughter Adrianna! The girl is against that, but for how much longer can she resist? Police and gangsters serve Vincenzo... But money and power are nothing when the real love comes around. The Last Prince Of Atlantis appears from the bottom of the sea, where he spent thousands of years in a stone sarcophagus. One day he sees Adrianna in the sea, strikes up looking for her and finds her...

خلاصه داستان : کارآفرینان جوان میشا و اولگ به سنت پتربورگ نقل مکان می کنند تا یک تجارت دکوراسیون داخلی راه اندازی کنند. میشا شروع به قرار ملاقات با تاتای مرموز می کند، زنی که بیماری کشنده خود را از او پنهان می کند...

Three friends are in the entrance of a luxury home in the heart of the city. They are young, full of strength and energy, they have the talent, skill and thirst for life and ... - well, they have all but one. But money...

خلاصه داستان : کارگردانان معاصر تئاتر و سینما درباره تأثیراتی که کنستانتین سرگیویچ استانیسلاوسکی کارگردان تئاتر روسی بر زندگی و هنر آنها داشته است بحث می کنند...

A story about Konstantin Sergeievich Stanislavski, a twentieth-century theatre genius. Owing to his powerful extraordinary talent he managed to stay a true artist and a free spirit within the harsh Soviet system. In the film contemporary theater and film directors (Kirill Serebrennikov, Katie Mitchell, Lev Dodin and others) show how Stanislavski's method affects their everyday work. Each of the directors finds his or her own reflection in the mirror of his genius. In search of an answer to the question whether modern theatre really needs Stanislavski they discover that art lacks its most essential part – the human being.